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.webp)
Small bubbles chat amongst themselves.
Their voices come up to the waves that decide to join in.
The chat, now, becomes valuable.
The surface of the Battuto Bicolore pieces simulates the cheerfulness of the bubbles and the sweetness of the waves, and its archaic form makes it a small talisman, with the chromatic contrast of fire and the sea.
Their voices come up to the waves that decide to join in.
The chat, now, becomes valuable.
The surface of the Battuto Bicolore pieces simulates the cheerfulness of the bubbles and the sweetness of the waves, and its archaic form makes it a small talisman, with the chromatic contrast of fire and the sea.
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Vases | CARLO SCARPA VENINI 785.00
Item code: 785.00
Collection: Limited edition
Author: Carlo Scarpa | 1940
Year: 2025
Number: 7/2025
Material: Murano glass.
Color: light green / red
Size: h 11 cm; diam 13 cm
CARLO SCARPA - Graduated from the Accademia di Belle Arti in Venice, Carlo Scarpa dedicated himself to academic teaching in the same city, holding various positions until 1977.
Scarpa asserted himself as a designer after the Second World War thanks to the creation of some important installations, particularly in Venice: the Paul Klee exhibition for the XXIV Biennale, the Pavilion of Art Books in 1950, and the Italian Pavilion at the XXVI Biennale.
In 1932, he started working for VENINI and was the artistic director of the brand until 1946. After all these years, Carlo Scarpa left an indelible mark on the world of the Fornace (Kiln), due to his design of models that went down in history and his constant search for the most sophisticated techniques.
Collection: Limited edition
Author: Carlo Scarpa | 1940
Year: 2025
Number: 7/2025
Material: Murano glass.
Color: light green / red
Size: h 11 cm; diam 13 cm
CARLO SCARPA - Graduated from the Accademia di Belle Arti in Venice, Carlo Scarpa dedicated himself to academic teaching in the same city, holding various positions until 1977.
Scarpa asserted himself as a designer after the Second World War thanks to the creation of some important installations, particularly in Venice: the Paul Klee exhibition for the XXIV Biennale, the Pavilion of Art Books in 1950, and the Italian Pavilion at the XXVI Biennale.
In 1932, he started working for VENINI and was the artistic director of the brand until 1946. After all these years, Carlo Scarpa left an indelible mark on the world of the Fornace (Kiln), due to his design of models that went down in history and his constant search for the most sophisticated techniques.
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